I am a Budapest-based curator and journalist. My practice involves various modes of mediating design, I work across curating, research, and writing. I researched innovative methods of collecting and archiving contemporary design in the digital age, and my interest lies in experimenting with different formats of display during art and design curation.
Until 2022, I was Editor at Hype&Hyper, where I commissioned features on Central and Eastern European contemporary design projects and interviewed many designers, curators, and artists (read my archive in full here).
Since 2022, I am Curator at K11 Labor, Budapest. In the last four years, I have also been working on freelance curatorial projects on various topics of art and design, including the physicality of digital infrastructures (Beyond the Cloud, 2021; Allegories of an Automated Present, OFF-Biennale 2021), the visual representations of labour (MUNKA/VERSENY, 2024), design anthropology (WE CAN SKATE IT!, 2022) and group shows of experimental design projects from young designers (DESIGN CURVES, 2023; Best in Design, 2023; Challenging Futures, 2022).
I hold an MA in Design Theory (Design Curator Specialisation) from the Moholy-Nagy University of Art and Design Budapest (2021) and I spent my Erasmus semester at Kingston University, London (2018).
I am a Budapest-based curator and journalist. My practice involves various modes of mediating design, I work across curating, research, and writing. I researched innovative methods of collecting and archiving contemporary design in the digital age, and my interest lies in experimenting with different formats of display during art and design curation.
Until 2022, I was Editor at Hype&Hyper, where I commissioned features on Central and Eastern European contemporary design projects and interviewed many designers, curators, and artists (read my archive in full here).
Since 2022, I am Curator at K11 Labor, Budapest. In the last four years, I have also been working on freelance curatorial projects on various topics of art and design, including the physicality of digital infrastructures (Beyond the Cloud, 2021; Allegories of an Automated Present, OFF-Biennale 2021), the visual representations of labour (MUNKA/VERSENY, 2024), design anthropology (WE CAN SKATE IT!, 2022) and group shows of experimental design projects from young designers (DESIGN CURVES, 2023; Best in Design, 2023; Challenging Futures, 2022).
I hold an MA in Design Theory (Design Curator Specialisation) from the Moholy-Nagy University of Art and Design Budapest (2021) and I spent my Erasmus semester at Kingston University, London (2018).
I am a Budapest-based curator and journalist. My practice involves various modes of mediating design, I work across curating, research, and writing. I researched innovative methods of collecting and archiving contemporary design in the digital age, and my interest lies in experimenting with different formats of display during art and design curation.
Until 2022, I was Editor at Hype&Hyper, where I commissioned features on Central and Eastern European contemporary design projects and interviewed many designers, curators, and artists (read my archive in full here).
Since 2022, I am Curator at K11 Labor, Budapest. In the last four years, I have also been working on freelance curatorial projects on various topics of art and design, including the physicality of digital infrastructures (Beyond the Cloud, 2021; Allegories of an Automated Present, OFF-Biennale 2021), the visual representations of labour (MUNKA/VERSENY, 2024), design anthropology (WE CAN SKATE IT!, 2022) and group shows of experimental design projects from young designers (DESIGN CURVES, 2023; Best in Design, 2023; Challenging Futures, 2022).
I hold an MA in Design Theory (Design Curator Specialisation) from the Moholy-Nagy University of Art and Design Budapest (2021) and I spent my Erasmus semester at Kingston University, London (2018).