The group show reveals the materiality of information technology and its connection to Earth through artworks, research visualisations and design projects.
The group show reveals the materiality of information technology and its connection to Earth through artworks, research visualisations and design projects.
The group show reveals the materiality of information technology and its connection to Earth through artworks, research visualisations and design projects.
BEYOND THE CLOUD
27. 10. – 17. 11. 2024, 1111 Gallery, Budapest
PARTICIPATING ARTISTS AND DESIGNERS: Bendegúz BATKE (HU), Lucas DE RUITER (NL),
Dániel DUBLECZ (HU), Kata M. KÁLLAI & Zsuzsa KÁLLAI (HU), Anna Diljá SIGURÐARDÓTTIR (IS)
CURATOR: Noémi VISKI
PROJECT MANAGER: Emese SOLTI
GRAPHIC DESIGN: Andrea Diána KERESZTESI
EXHIBITION DOCUMENTATION PHOTOS: Júlia BÁLINT, Paula FÉNYES, Boglárka TÓTH
The exhibition was made possible by the Erika Deák Scholarship in collaboration with Moholy-Nagy University of Art and Design and Erika Deák Gallery.
Beyond the Cloud reveals the materiality of information technology and its connection to Earth. Benjamin H. Bratton uses the term “Stack” to describe the super-system built from different layers including raw materials and minerals, technological tools, data transmission processes, networks, users and their interactions. The planetary scale megastructure can even override current forms of governance, however it cannot exist without the planet itself. The “hungry machine” thus digs deep into the Earth, feeding on its raw materials; it connects continents not only virtually, but also physically with cables running deep in the sea; exploits lithium mines; hides its databases in caves. From elements that required billions of years to be produced, we create devices that end up in landfills after a few years of use due to planned obsolescence. These devices no longer show any visible connection with their geological origin – we are faced with ontological veiling.
While the illusion that our data management processes are intangible is becoming stronger, our planet is increasingly signaling that digital infrastructures do have material implications that remain hidden from the user. What connection points can be linked back to the origin of the device?
Beyond the Cloud reveals the materiality of information technology and its connection to Earth. Benjamin H. Bratton uses the term “Stack” to describe the super-system built from different layers including raw materials and minerals, technological tools, data transmission processes, networks, users and their interactions. The planetary scale megastructure can even override current forms of governance, however it cannot exist without the planet itself. The “hungry machine” thus digs deep into the Earth, feeding on its raw materials; it connects continents not only virtually, but also physically with cables running deep in the sea; exploits lithium mines; hides its databases in caves. From elements that required billions of years to be produced, we create devices that end up in landfills after a few years of use due to planned obsolescence. These devices no longer show any visible connection with their geological origin – we are faced with ontological veiling.
While the illusion that our data management processes are intangible is becoming stronger, our planet is increasingly signaling that digital infrastructures do have material implications that remain hidden from the user. What connection points can be linked back to the origin of the device?
Beyond the Cloud reveals the materiality of information technology and its connection to Earth. Benjamin H. Bratton uses the term “Stack” to describe the super-system built from different layers including raw materials and minerals, technological tools, data transmission processes, networks, users and their interactions. The planetary scale megastructure can even override current forms of governance, however it cannot exist without the planet itself. The “hungry machine” thus digs deep into the Earth, feeding on its raw materials; it connects continents not only virtually, but also physically with cables running deep in the sea; exploits lithium mines; hides its databases in caves. From elements that required billions of years to be produced, we create devices that end up in landfills after a few years of use due to planned obsolescence. These devices no longer show any visible connection with their geological origin – we are faced with ontological veiling.
While the illusion that our data management processes are intangible is becoming stronger, our planet is increasingly signaling that digital infrastructures do have material implications that remain hidden from the user. What connection points can be linked back to the origin of the device?
Not only the network infrastructure’s physical origin is hidden from us but also the internal structure and mechanisms of the devices. According to Vilém Flusser, such technological apparatuses are "black boxes" that we are unable to see through, because the device does not reveal its inner workings to us. Paola Antonelli uses the term 'knotty object' to refer to objects that we are unable to understand simply as a set of parts, since the technical knowledge and technologies needed to create them form a complex network. Modern design helps to integrate information technology into everyday life, making the use of devices natural, while at the same time hiding mechanisms and creating a position of power. How can one critically examine or change a system that is invisible?
Not only the network infrastructure’s physical origin is hidden from us but also the internal structure and mechanisms of the devices. According to Vilém Flusser, such technological apparatuses are "black boxes" that we are unable to see through, because the device does not reveal its inner workings to us. Paola Antonelli uses the term 'knotty object' to refer to objects that we are unable to understand simply as a set of parts, since the technical knowledge and technologies needed to create them form a complex network. Modern design helps to integrate information technology into everyday life, making the use of devices natural, while at the same time hiding mechanisms and creating a position of power. How can one critically examine or change a system that is invisible?
Not only the network infrastructure’s physical origin is hidden from us but also the internal structure and mechanisms of the devices. According to Vilém Flusser, such technological apparatuses are "black boxes" that we are unable to see through, because the device does not reveal its inner workings to us. Paola Antonelli uses the term 'knotty object' to refer to objects that we are unable to understand simply as a set of parts, since the technical knowledge and technologies needed to create them form a complex network. Modern design helps to integrate information technology into everyday life, making the use of devices natural, while at the same time hiding mechanisms and creating a position of power. How can one critically examine or change a system that is invisible?
DÁNIEL DUBLECZ: DATA DISINTEGRATION, 2020
DÁNIEL DUBLECZ: DATA DISINTEGRATION, 2020
DÁNIEL DUBLECZ: DATA DISINTEGRATION, 2020
LUCAS DE RUITER: BATHING IN THE CLOUD, 2020
LUCAS DE RUITER: BATHING IN THE CLOUD, 2020
LUCAS DE RUITER: BATHING IN THE CLOUD, 2020
The works exhibited lead us to the depth of the ocean, to a data centre in the Netherlands and the London Metal Exchange in order to guide us to the roots of our technological devices and web-based interactions. The artworks, research visualisations and design projects make an attempt to uncover the invisible mechanisms.
The works exhibited lead us to the depth of the ocean, to a data centre in the Netherlands and the London Metal Exchange in order to guide us to the roots of our technological devices and web-based interactions. The artworks, research visualisations and design projects make an attempt to uncover the invisible mechanisms.
The works exhibited lead us to the depth of the ocean, to a data centre in the Netherlands and the London Metal Exchange in order to guide us to the roots of our technological devices and web-based interactions. The artworks, research visualisations and design projects make an attempt to uncover the invisible mechanisms.